As soon as the first shoot day for Amelia’s Letter had wrapped, we had to begin the re-dress the set. All the props were removed from the set (except for the writing desk which was covered) and the entire room was repainted. The next morning I touched up the paintwork at the tops of the walls and helped bring in the props for the 1939 setting. It required a very fast turn over but this was my favourite of the time periods. The poster in the gold frame and the vintage magazine in the rack are both personal items of mine.